Name: Brutus, From Animalia Part of Whimsical Kingdom Series.
Medium: Digital | Year: 2016 | Time to completion: 39 hours
Quote: Bulls can do nothing to demand justice. They can only defend themselves as best they can in a fight with a pre-determined ending and die never knowing why they were forced to endure such a painful and prolonged death. It’s up to us, as a civilized society, to call for an end to the Running of the Bulls and bullfighting. Ingrid Newkirk
Fact: Every year, approximately 250,000 bulls are killed in bullfights for human entertainment. At bullfights, the audience cheers as sentient animals are taunted, injured, and often killed. Veterinarians, zoologists and ex-matadors themselves agree that bulls are submitted to unnecessary stress and suffering both in and out of the ring. Source
Reflection: Ernest Hemingway described bullfighting as “not a sport but a tragedy”, and accorded it the status of Art. It was the quintessence of man’s destiny, he wrote, to confront and overcome his fear of death. Ask the bull who has been tormented an stressed to the extreme and who ultimately dies in a pool of blood and in agony if Bull fighting is beautiful. Beauty is in art, in kindness and in love not in blood sport. Rosie Kane, Scotland
Animalia Series, 2016
I decided to start my series by bringing to life a kingdom that has always captivated me, the animal kingdom. “Animalia” is a deep look into the beauty and spirit of the natural world. Animals possess a natural instinct and vitality that I admire and respect. I believe that if you take a closer look at nature you will understand everything better. Ultimately, humans possess an animalistic subconsciousness that goes beneath and beyond the scope of personal consciousness, and we are completely unaware of it. If you take a look at human animalistic behavior around the world you will not be able to deny that we are part of a single family. We are all inextricably interconnected. I try to speak for them and us through this series by producing bodies of work portraying the beauty of this kingdom in hopes to enrich and generate awareness by selecting animals I am drawn for various reasons. On each of them you will see a collage of many elements and forms, regular and irregular shapes, triangles, polygons, mandalas, curves, and jewels, mystic and underlying spiritual symbolisms transformed and speaking to each other in harmony, allowing the viewer to do the completing, the reflection of self.
“Human beings are a part of the animal kingdom, not apart from it. The separation of “us” and “them” creates a false picture and is responsible for much suffering. It is part of the in-group/out-group mentality that leads to human oppression of the weak by the strong as in ethnic, religious, political, and social conflicts.”
— Marc Bekoff ~ Professor Emeritus of Ecology and Evolutionary Biology
Whimsical Kingdom is an evolving art series part of the process of personal introspection and space to further emphasize thoughts of reflection. I intended to create an ongoing dialog with the viewer by stimulating visual sensation and exploring the relationship between the duality of the seen and unseen realm and complexity of our beings. Nature, people, fantasy, and sexuality come alive in unique kingdoms with whimsical characters portraying how seemingly opposite forces are synergetic, interrelated, and interdependent. Colorful symmetric mosaics are mixed with jewels, shadows, elements of power, and underlying spiritual symbolisms while contrasting organic structures create the visual impact necessary to deliver a message that serves as a medium for reflection and awareness about personal and social exploration.
I don’t have a formal education in the arts; my creative work is an intuitive and self-taught process. In my life, I’ve noticed that the most important decisions I make are based on intuition and this piece of work reflects this instinct. I use mosaics in most of my work because I feel they are a juncture for drawing, painting and sculpture. When you see the details of my work, you will see this series somehow represents a part of myself. The conceptualization of each series, selection of each character and research to create the right composition of design elements is often the hardest part of the process. Everything after that is an assembly of a digitally rendered piece of art to be printed on different media; using Adobe illustrator software, the total time for the development of each piece from start to finish can take 35 to 45 hours of work depending on the complexity of the piece.
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